Editor's note: I have always been a big fan of Stone Field Sculpture. Some of my earliest memories of Hartford are of me climbing up the rocks. For the 30th anniversary of the piece in 2007, I founded the "Friends of Stone Field Sculpture" and had a picnic there. When iQuilt was planning on turning the rocks into some sort of stupid water feature, I got back in touch with Carl's wife to prevent foutainification of my favorite piece of public art in Hartford. Dario shares an affinity for Stone Field Sculpture and wrote this:
Leaning on my bike in the shade on a beautiful warm spring afternoon, gazing at the rock sculpture on the long isosceles triangle of a lawn in downtown Hartford, I realized actually how beautiful the scene was. Carl Andre's 1977 controversial sculpture of eight rows of boulders (the first at the tip of the triangle has only one; the second, two; the eighth which runs parallel to Main St. has eight, for a total of thirty-six) has aged very well. Rocks do that. The seasons pass and the rocks slightly weathered by time develop a patina. They are of basalt and gneiss, two types of rock easily found in this region. Since its creation, the "Stone Field Sculpture" has been a source of controversy. "It's just a bunch of rocks. That's not art! Anyone can do that!", decried many at the time and over the years. The City of Hartford even tried, unsuccessfully, to recoup the $87K it had paid the artist (not with taxpayer funds, by the way). The rocks have become part of the urban landscape, the sculpture is appropriate to the strip of no-man's land between Main St. and Gold (a short, winding street) and the city's oldest and most historic cemetery. The artist, Carl Andre, now in his mid-70's, is one of the fathers of Minimalist art. He is featured in a NY Times article (May 7, 2014) about the upcoming exhibition, a retrospective of his work, at DIA in Beacon Falls, NY. Andre is known for his use of local, simple, natural, but also industrial, materials and for arranging them in simple and suggestive forms. He is "exacting" in the materials' disposition.











































